Kit’s Blog – Locomotive Happenings

Kitulgala is a small town located in the central highlands of Sri Lanka and as the crow flies, is 94km east of Colombo. Once directly accessible by rail, times have since changed and the development of the infrastructure in Sri Lanka with broad rail tracks replacing narrow lines, has meant this town in the jungle can only be accessed by road. Travelling by car, tuk tuk or van would be relatively expensive and a local bus would be a long and arduous experience of claustrophobic overcrowding with passengers, while all the time having the enjoyment of watching your life in the hands of the driver as he races other bus’s to pick up customers and get to the next stop. Train-while long and not direct- would be a relatively peaceful affair and with two places to choose from Hatton and Avissawella I selected the latter as it seemed quicker to reach and appeared closer to Kitulgala on the map. I set off for my destination from Colombo early in the morning, carrying my life on my back, from clothes and insect repellent to computer and digital camera, with the knowledge of a certain time a train should arrive that would get me as close to my final destination as I could get by locomotion.

Train from Colombo to Avissawella
Train from Colombo to Avissawella

Colombo Fort Railway Station is the main hub for all trains from Colombo and is akin to Kings Cross in London or Central Station in Glasgow, with a similar Victorian iron wrought architecture –on a less grander scale- but the similarities disappear relatively quickly when as a solitary foreigner, with little understanding of Sinhalese in spoken or written form and a lack of information for departures visible makes trying to find the correct train on time quite a daunting but non-the-less exciting proposition. An experience anyone travelling to and around Sri Lanka should not be missed! After being informed that my train would depart from platform 9 at 8:30 (instead of the 8:45 as the internet had informed me) I reached the platform with trains lying empty on either side. After asking some people milling around if one of these were the train to Avissawella and told “no” 8:30 came and the trains went. I knew if I missed this train I would have to wait over 6 hours for the next one and with my reservation booked for a finite time in Kitulgala I was determined to make it there on schedule. Adrenaline rushing, a train pulled up at 10b and asking more people around me they pointed at this very one so I headed for it. What I was not prepared for at this point was the sea of people pouring out of this commuter train for their days work in the capital. There was nothing to do but stand firm and wait for this surge to pass. Getting on the train I asked again if this was the train to Avissawella which people confirmed and after half an hour of waiting the train set off with me on. Hoping that this indeed was the
correct train…

Hills getting higher and higher as the Tuk Tuk takes me further into the Jungle
Hills getting higher and higher as the Tuk Tuk takes me further into the Jungle

After 3 and a half hours where I gradually passed homes built from an assemblage of materials which barely missed the train’s sides and through the middle of a golf course, I began to break out of Colombo’s sprawling suburbs and into the rice fields. Slowly the country side got more lush and tropical and gentle hills started to turn into ever larger peaks. The train travelled through a variety of places unknown to me such as Kottowa, Godagama, and Padukka but when it pulled into the large town of Waga (a name I recognised from prior investigations of maps) I finally felt assured I was heading in the right direction.

From Avissawella to Kitulagla
From Avissawella to Kitulagla

Leaving Avissawella train station I caught a Tuk Tuk and headed to Kitulgala. The three wheeled transportation -reminiscent of a drivable lawnmower with a back seat and soft-top roof- wormed its way along the side of the Kelani River overtaking vans, mopeds, cyclists and cows. After 40 minutes of stunningly beautiful cliff side driving I finally pulled up into the Kithulgala Rest House. My home for the next week and base to discover the memories of the ‘Bridge on the River Kwai’ set location.

The Kelani River
The Kelani River

The fun could now really commence…

Eagle House: 2nd Anniversary Party

UZ Arts director, Neil Butler, has just returned from his time in Sri Lanka visiting Kit and the Sura Medura Centre, the Sunbeach Hotel and Eagle House, the new home of the art classes set up in Hikkaduwa after the tsunami of 2004. The “Hikkaduwa Area Relief Fund” created Chandrasevana, an initiative that originally helped locals rebuild fishing boats and businesses, supporting the community and then went on to open the Chandrasevana Creation Centre that provided arts classes for children.

Eddi and Mangalika at Eagle House
Eddi and Mangalika at Eagle House

 

When the centre needed to move premises, it was housed in Sura Medura for a while but then found its permanent home in Eagle House with lead volunteer Eddi Piper steering the helm. They celebrated their 2nd anniversary at Eagle House recently with a day of creative fun and games with art workshops and  “Bat the Rat”. No animals were harmed in the making of this party!

 

Maria McCavana with children's art classes
Maria McCavana with children’s art classes

 

Artist in residence Kit Mead getting to grips with "Bat the Rat".
Artist in residence Kit Mead getting to grips with “Bat the Rat”

 

 

Kit’s Blog – Sura Medura and the chair caning man

After a journey in a car ride through the early traffic rush of Glasgow, 2 flights, one of which flew me over Baghdad with the flames from the oil refineries in the Iraqi desert clearly visible in the darkness of night, a stop off in Dubai taking in the sheer enormousness of the world’s tallest man-made structure and a van drive through the suburbs of Colombo and coastal roads of Sri Lanka – all encompassing a total of around 19 hours – I arrived at the Sura Medura in Hikkaduwa on Wednesday the 16th of January.

The Sura Medura is a 150 years old building found off the tourist beat of the town’s beach front and nestled within the local community’s residential area. It’s a stunning space full of ornate decorative carvings above the windows and large high ceilinged rooms. It’s a very quiet location with the peace often broken by the sound of birds in the palm trees surrounding the building. I think it’s going to be a nice place to have a studio space in…

On Galle Road

So far it’s been clear blue skies since my arrival with the temperature peeking at 32 degrees and a low of 20oC. There’s a pleasant breeze that gets blown in from the sea preventing you from feeling the humidity.

I have started collecting footage that will hopefully become either short films or part of the final outcome. Yesterday an elderly gentleman came into the Sunbeach Hotel – where I was enjoying a wonderful salt and chilli prawn salad – to fix the chair caning on some of the hotel chairs. I was captivated by the methodical, but fast process of re-weaving that he was applying in a crouched position. From afar I recorded his approach of reconstructing this highly decorative pattern. Made from cane, this material leaves you with a firm drum-like-surface that is durable but not necessarily long lasting. I found it compelling the length of time put into making the chairs a functioning tool of comfort again, in the knowledge that in spite of this concentrated endeavour, the canes will over time lose their stretch, become brittle and brake again. At which point this process of renewed repetition can begin again.

Chair Caning

Kit’s Blog – The future is here!

Well these past few weeks since my residency at Sura Medura was announced have flown by, and all of a sudden the 15th of January is tomorrow! Tomorrow I leave Glasgow for the far away land of Sri Lanka and my residency begins. I will be looking to post on here—internet access permitting—as often as possible over the course of the next six weeks, telling the stories of my adventures, the development of the art work I will be making and revealing the outcomes of my time at Sura Medura.

My art practice is mainly focused on and presented in digital video formats and I am intending to continue to push my interests and themes within this medium during my time out in Sri Lanka. Since my last post I have been down to London for a cousin’s wedding (congratulations Harry and Brooke!) and thought that while I was down there it would be a great time to check out a few exhibitions. These included the last day of the Turner Prize where I—along with what felt like half of London—crammed through the basement level rooms of the exhibition checking what was on offer. There was a wonderful diversity of practices on show and it was of particular interest of mine to get the chance to watch Elizabeth Price’s video ‘The Woolworths Choir of 1979’ (2012)

I also went to the Photographers Gallery to check out ‘Shot! Existential Photography’ which traced the correlation between the act of shooting a gun and shooting a photograph within a selection of artists work. Along with a wonderfully immersive installation by Christian Marclay it included a selection of images of a variety of people (including some philosophers and existentialists) at shooting galleries in fairs across the world. These shooting galleries required you to fire a pellet gun at a target and if you hit the bull’s eye a photograph of the shooter would be shot simultaneously. Action and documentation of the act would combine for a slightly odd image for the salient to take home. The top floor of this show also had a space that gave the audience the chance to test themselves at one of these shooting galleries. After a slight issue with the printer and a long wait with a crowd growing, my chance arrived and I dutifully gave it a go. I was given 4 pellets for £3 and gave it my best shot. To my surprise I did it first time and left the exhibition with the print as proof of my successful attempt.

Well now I’ve got to do some final packing before the long journey across the world begins.

Speak soon.Existential photography