With the residency over for another season, Ross writes his final blog, saying goodbye to Sri Lanka and his experiences there:
http://www.rosswhyte.com/single-post/2017/04/09/Sri-Lanka-Residency—Final-Post
With the residency over for another season, Ross writes his final blog, saying goodbye to Sri Lanka and his experiences there:
http://www.rosswhyte.com/single-post/2017/04/09/Sri-Lanka-Residency—Final-Post
Ross beautifully describes all the happenings at Moving Beyond, the residents finale performances at Sura Medura, in his 6th blog here.
You can also view a video which Ross made of their performance at Sooriya Village in Colombo.
Read Ross’ fifth blog as he delves deeper into his plans for Moving Beyond.
You can also watch a video of a test run of his installation below.
Joshua writes in his third blog post about the change in pace and development of his work as it is inspired by Sri Lankan traditions. You can read it here.
Read here about Ross’ busy week, as the artists continue to work with and be affected by the landscape around them.
Sura Medura 3
The final stage of our residency was focused on preparing for our Moving Out event. Overall, the day at Sunbeach was a wonderful combination of visual art, sound, sculpture, video, performance, people, food, beer, Arrack sour, sea, sand, laughing, chatting, sharing…and cake (what a fabulous day for a birthday!).
We were thrilled to have a good local crowd join us for the day, and also delighted that so many people came down from the Colombo Biennale and the University Faculty of Visual and Performing Arts to join us for some or all of the time.
In our exhibition, which combined some finished elements and work-in-progress, my sound work Sabda saha Pintura was available as a headphone installation.
The title Sabda saha Pintura means sound and picture in Sinhalese – through much discussion this seemed to be the most apt translation for the collage idea I was working with in the piece. Exploring differences in the English/Sinhalese languages was very intriguing – how or in what way metaphors or concepts translate, for example sound, soundscape, landscape, environment.
During the afternoon an audiovisual tuk yuk tour was running – a collaboration between Natahsa (Russell) and me. Three people at a time could hop into Sudu’s tuk yuk and take a short round trip to visit Natasha’s work in local shops accompanied by my soundtrack. Big thanks to Sudu and Chinthaka for running the tours.
The soundtrack combined recordings I gathered from those shops – people introducing themselves and their businesses, shop sounds etc – the general store, jewellers, barbers, a fruit and veg stall. I also recorded an introduction to the tour in Sinhalese, with pronunciation help from folk at Sunbeach.
Before a fantastic Sri Lankan curry banquet, I accompanied Samson Ogiamien with some live vocals for his performance piece with sculpture, which we had rehearsed in the lead up to the event.
Later in the final week we headed up the road for the Colombo Biennale. I was absolutely delighted to have been invited by Shereen Perera to perform a live score for Video Jam – an event running as part of the opening night.
My film extract came from the beautifully strange, thoughtful film Light in the Yellow Breathing Space by Vimukthi Jayasundara.
I still have much to reflect on – such a wonderful, thought-provoking time. Thanks to Neil and UZ, Chaminda, Chathura, Hasantha, Kary and all at Sunbeach, my fellow artists-in-residence, Maria and Jack, everyone I met.
Sumit Sarkar is a visual artist based between Manchester and London, whose artwork takes the form of digital and analogue paintings and sculpture, animation and work inspired by graffiti. The content of his work ranges from the fantastical characters of Sumit’s KrikSix world, to his modern interpretation of the Hindu gods, Ananta, through to his sculptural graffiti work Kerst.
You can find out more about Sumit’s work by visiting his website here.
Sumit was an artist in residence at Sura Medura from Oct – Nov 2016. To read Sumit’s blog of his time there, see here.